Daisy Novel
Trang chủThể loạiXếp hạngThư viện
Trang chủThể loạiXếp hạngThư viện
Daisy Novel

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Chapter 29 The Things We Carry Alone

Chapter 29 The Things We Carry Alone
JAKE POV

Lily falls asleep mid-breath.
One second she is a small warm presence radiating heat and dinosaur anxiety and the next, she is completely gone, mouth slightly open, Gerald clutched to her chest like a hostage. Jake watches her chest rise and fall twice just to be sure.
Then there is only rain.
And Penny, above him, is not sleeping.
He knows because she has not moved in twelve minutes, and people who are asleep move. They shift and resettle and sigh. Penny is perfectly still in a way that means she is thinking hard about something she has not decided yet.
He looks at the wall across from him.
He says it before he plans to.
"She used to crawl into my mom's bed during storms."
The stillness above him changes quality. Still. But listening.
"I know," Penny says. "She told me."
He sits with that.
He didn't know Lily had said that. He didn't know Lily talked about their mom to Penny, that she had taken those memories, the ones Jake holds so carefully, so privately, like something that might break if transferred, and just handed them to Penny in the ordinary way that six-year-olds hand everything over, without ceremony, without understanding the weight of it.
He finds, after a moment, that he doesn't mind.
That surprises him.
"What else did she tell you?" he says. Not quite a question.
A pause above him. He imagines Penny choosing carefully. "That your mom smelled like vanilla. That she called Lily her little paleontologist before Lily even knew what that word meant." Another pause. "That she used to sit in the hallway outside Lily's room after she fell asleep. Just to be close."
Jake closes his eyes.
He hadn't known that last one either.
Or maybe he had known and filed it somewhere deep, the way you file things that hurt too much to look at directly.
"Yeah," he says. "She did that."
The rain hits the window in a long, slow wave. The house settles with its usual sound, the specific creak of the third floorboard in the hallway, the way the heater hums before it kicks fully on. Jake has memorized every one of these sounds over two years of listening for them in the dark. The sounds that mean the house is standing. The sounds that mean everyone inside it is safe.
He has never told anyone that.
He tells Penny.
Not all at once. It comes out in pieces, the way things do at midnight when the room is dark and someone is listening without trying to fix anything. He tells her about the first month after, how he used to walk the whole house at two AM just to touch every wall, every doorframe, like he was taking inventory of what remained. He tells her about Lily waking up crying for three weeks straight and how he learned to get there before she was fully awake, how he learned which stuffed animals worked for which kinds of scared.
He tells her about the night his mom died.
He has never told anyone this. Not Marcus. Not the school counselor who asked twice and got I'm fine both times. Not his dad, who was on a plane and arrived at the hospital looking like a man who had already decided surviving meant not looking directly at it.
He tells Penny.
"I was at a party," he says. "Connor Briggs's house. I didn't even want to go. I remember standing in his kitchen thinking I should leave and then staying because  I didn't know. Because leaving felt like a decision and I didn't want to make decisions that night." He stops. "My phone was on silent."
Above him, total silence.
"I had four missed calls when I looked at it. Three from the hospital. One from my dad." He can feel his own breathing going carefully, the way he controls it on the field. "I drove to the hospital alone. It was two in the morning. I remember every traffic light."
"Jake," Penny says softly.
"I got there too late," he says.
He has never said that out loud.
Those five words have lived in the back of his chest for two years, behind everything behind the football and the grades and the grocery runs and the bedtime stories and the performance of being fine. He got there too late. He was standing in Connor Briggs's kitchen, and his mother was dying, and he didn't know, and by the time he walked into that hospital, the thing that could not be undone was already done.
He waits for Penny to say she's sorry.
She doesn't.
She doesn't say any of the things people say. She doesn't fill the silence with something soft and useless. She just lets it sit, and then, quietly, she says:
"You were seventeen."
He exhales.
It moves through him from the chest outward, not relief exactly, something older than relief. Like she just reached into that place behind everything and set something down that he has been holding in both hands for so long, he forgot it had weight.
"Yeah," he says.
"You were seventeen years old," she says again. "And you drove to a hospital alone at two in the morning." A pause. "That's not being too late. That's just being seventeen."
He doesn't answer.
He doesn't have an answer.
He puts his head back against the mattress and looks at the ceiling, and thinks about the difference between what happened and what he has been telling himself happened for two years. He thinks about how those two things can look identical from the inside and completely different from someone else's view.
He thinks about how Penny Cruz sees things.
After a while, she says: "Can I tell you something?"
"Yeah."
A pause. He waits.
"I used to eat lunch in the library," she says. "Not because I wanted to. Because the cafeteria had too many places to look. Too many chances for something to happen." Her voice is level. Matter-of-fact. "I did that for two years. I built my entire day around not being seen. Around making myself smaller than I actually was."
He says nothing.
"And the thing is," she says, "I was so good at it. I got on the honor roll. I got the scholarship. I survived every single day." A breath. "But surviving isn't the same as living. I know that now. I think I've always known it. I just didn't have anywhere to put it."
Something shifts in his chest.
"Where do you put it now?" he says.
A pause so long he thinks she won't answer.
"Here," she says quietly. "Right now. This."
He closes his hand slowly on the blanket in his lap.
He wants to say something real. Something that costs him something.
He says, "You're the only person I've told that to. The party. The drive. All of it."
Silence.
Then: "I know," she says. "I can tell."
And somehow that is exactly right.
He tilts his head back and closes his eyes and listens to the rain and the house and Lily breathing and Penny not sleeping, and he thinks this is the most honest he has been with another person in two years.
He thinks he could get used to it.
He thinks that is terrifying.
His phone buzzes once on the floor beside him.
He ignores it.
It buzzes again.
He picks it up.
A message from Marcus.
Four words and a screenshot.
Bro. You need to see this.
The screenshot loads slowly.
It is a post. Public. Already shared forty-seven times.
It is the video.
And in the caption, Brianna has tagged the Ohio State football account.

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