41- Can you forgive me Muse?
"Tell me " I said as I left through the metal door of the laboratory.
" You sent me a message saying you wanted to talk " he said slowly - let's talk.
"Okay " I said in a bitter tone " let's talk " I sighed.
"Will you forgive me, Musa? "She asked with a soft voice, I walked to sit on one of the benches in front of the library.
" Yes, I forgive you."
" Thanks, wow for a moment I thought you wouldn't do it"
"Well, you see, yes."
"You are one of those people who tell you about moles instead of mistakes, Mia, and that's why I fell in love with you. You can always see the best in me, even when I can't, you are my mirror " There was silence.
"I won't do it again " He told me in a whisper.
" Will you promise me " I asked softly with tears running down my cheeks.
At that moment a leaf fell from the top of a tree while Rocío promised me that she would not fail me like that again.
"Yes, I promise you " I took the sheet that had just fallen to the ground and kept it in my Luis García Montero book.
*I just opened the book and I read:*
*By the detergents and dish soap*
*by the orderly books and broom on the floor,*
*by the clean windows, by the table*
*without papers, notebooks or pens,*
*by the easy chairs without newspapers,*
*whoever approaches my house*
*will find a day*
*that is completely Friday.*
*That is how I find it*
*when I go out into the streets*
*and the cathedral has been*
*taken over by the world of the living*
*and in the supermarket*
*June becomes a bottle of gin,*
*sausages and dessert,*
*fan of light in the kiosk*
*of the flower shop,*
*city that undresses completely Friday.*
*As does my body*
*which recalls the memory of your body*
*and foretells your presence*
*in the restlessness of all it touches,*
*in the remote control for the music,*
*in the paper of the magazine,*
*in the ice melted away*
*just as the morning melts away*
*completely Friday.*
*When the front door opens*
*the icebox divines what my body knew*
*and suggests other titles for this poem:*
*completely you,*
*morning of the return, good love,*
*good company.*
Then I just opened a book by the journalist Gabriel Garcia Márquez and I read other poem, and I read it twice, like if that poem was the last one that we have to give each other.
*Poem:*
*Traveling is leaving home,*
*parting with friends*
*it’s trying to fly;*
*to fly along new routes*
*crossing paths*
*it is trying to change.*
*Traveling is dressing crazy*
*it’s saying “I don’t care”*
*it’s wanting to go back.*
*To return appreciating the small things*
*sipping a drink,*
*it’s wanting to begin.*
*Traveling is feeling like a poet,*
*writing a card,*
*it’s wanting to hug.*
*Embracing in a doorway*
*longing for calm*
*it’s stopping to kiss.*
*Traveling is to become worldly*
*it’s to meet other people*
*it’s to return to the beginning.*
*It’s to start offering a hand,*
*learning from the strong,*
*it’s to feel solitude.*
*The sadness of the sea fits in a glass of water*
*♡*
*There is no woman more alone,*
*more sadly alone,*
*than the one who wants to love a sad man.*
*Piedad Bonnett*
*Sad men,*
*who have a provincial coffee in their eyes,*
*who do not know how to lie,*
*who hide behind newspapers,*
*who remain seated in their chairs*
*when the party dances,*
*who wear out shoes on a rainy afternoon,*
*who greet with fear,*
*who suddenly one night melt,*
*who sing pursued by laughter,*
*who embrace, who pester until they are left alone,*
*who return later to their sadness*
*just like to their handkerchief and their glass of water,*
*who see how their girlfriends and boats move away,*
*those men stained by the last hours*
*of the lost opportunity,*
*are like me.*
Before to leave college and go to my place, I just drink water and think about the purity of my feelings for her, so kind and gentle, always cleaning the damage, as water. And I remember to me in that exactly moment a poem by Garcia Monter, where He talks about water.
Maybe we leave ourselves, but there is almost always a door that is not closed properly…
♡
*When I close the door of my house*
*the steps are usually filled with doubts.*
*It is possible, perhaps*
*the light in the office*
*was left on,*
*I don't know if I turned off the water*
*and it also seems to me*
*that I didn't turn the key twice.*
*It is like when I leave an argument*
*and the elevator is covered with unspoken truths.*
*Decisive answers go with me.*
*Later I feel afraid*
*of those two minutes of exposure.*
*I raised my voice, the others fell silent*
*and the glass broke.*
*It is like when I leave a party*
*and I am overcome with fear*
*that someone has been upset.*
*Did I say goodbye to her? Should I*
*remember him?*
*Did they understand the joke*
*and the double meaning of my words?*
*Has the little lie of Friday afternoon come to light?*
*It's like when I leave myself,*
*after having swum between two waters*
*even in the bathtub.*
*I leave dirty clothes at the foot of the chair,*
*an unmade bed,*
*unwashed dishes,*
*towels on the floor, and in the bathroom*
*a foggy mirror*
*where there is still*
*the skinless nakedness of the impostor*
*who now goes out into the street,*
*and greets the others,*
*and pays attention to whoever calls him by name.*
*Everything is strange and difficult*
*like feeling Luis, like living in the second*
*left of the night,*
*being Spanish or being in love.*
*Maybe we leave ourselves.*
*But there remains a light, an open tap,*
*the shadow of a badly closed door*