Chapter 5 What Waits Behind The Door
I don't sleep.
The unknown number's message burns a hole in my brain all night. Check your locker before first period. That's it. No explanation. No name. Just a command wrapped in a threat disguised as a warning.
I run through the possibilities. Travis. One of his football cronies. Peyton, the perfect ex-girlfriend who's probably thrilled I'm being targeted. Or maybe someone I don't even know—someone who just hates fat girls on principle. The world has plenty of those.
At 5:47 AM, I give up on sleep entirely. The sky outside the pool house window is that pale gray color that isn't quite night and isn't quite morning. The pool glows turquoise, eternal and indifferent.
I pull out my sketchbook and draw.
Not superheroes this time. Not the boy with sad eyes holding peanut butter. I draw a girl standing in front of a locker, her back to the viewer, her shoulders braced. The locker door is slightly open, and from the crack spills something dark—I shade it with heavy pencil strokes until it looks like smoke, like oil, like the thing you're most afraid of.
I draw her standing there anyway. Not running. Not disappearing.
At 6:30, I hear Sophie's voice through the walls of the main house, already negotiating her existence. "I want the blue cup. NOT the green cup. The green cup is for babies and Sam."
Sam's response is a muffled roar.
I close my sketchbook and get dressed. Black jeans. My favorite hoodie—the one that's soft and oversized and makes me feel like I'm wearing a hug. My hair goes into a bun so tight my scalp protests. Armor.
Caleb is already in the kitchen when I walk in. He's leaning against the counter, coffee mug in hand, watching Sophie and Sam destroy a box of cereal with the focused energy of tiny hurricanes. He looks up when I enter, and something flickers in his eyes.
"You look like you didn't sleep."
"Good morning to you too."
"I'm serious." He sets down his mug. "What's wrong?"
I consider lying. I consider deflecting with a joke about Sophie's syrup negotiations. But the unknown message is burning a hole in my pocket, and I'm tired of carrying things alone.
"Someone texted me last night." I pull out my phone and show him the message. "Unknown number. They told me to check my locker before first period."
Caleb's face goes hard. The transformation is immediate—the sleepy, soft-edged boy from a moment ago replaced by something sharper, more dangerous. This is the version of him that exists on the football field. The one who makes split-second decisions and hits people for sport.
"Did you respond?"
"I asked who it was. They didn't answer."
He hands the phone back, his jaw tight. "Don't go alone."
"I have to. It's my locker."
"Then I'll go with you."
"Caleb—"
"Maya." He steps closer, and suddenly the kitchen feels very small. Sophie and Sam are still arguing about cereal, but their voices fade to background noise. All I can see is him. The dark circles under his eyes. The determined set of his mouth. "Yesterday was the warm-up. The takeout container was a message. This is the follow-up. I'm not letting you walk into that alone."
"Why do you care so much?"
The question slips out before I can stop it. It's the one I've been asking myself since that first night in the kitchen. Since the peanut butter and the photograph of Drew. Since 3:17 AM when I found him crying and didn't walk away.
He's quiet for a moment. His eyes search my face like he's looking for something—an answer, maybe, or permission.
"Because no one protected me," he says finally. "After Drew died. Everyone just... watched. Waited for me to fall apart. Waited for me to be him. No one asked what I actually needed." He swallows. "You asked. In the kitchen. You asked about Drew. About what he was really like. No one's ever asked me that before."
The words settle between us, heavy and true.
"Okay," I say quietly. "You can come."
"Good." He steps back, and the kitchen expands again. Sophie is now attempting to pour milk into Sam's cereal while Sam protests loudly. "But first, we deal with the chaos gremlins."
\---
The walk to Oakhaven High feels different with Caleb beside me.
People stare. Of course they stare. The quarterback and the fat girl, walking together like it's normal. Like we exist in the same universe. A freshman drops her books. A group of cheerleaders—Peyton's friends—whisper behind manicured hands.
I keep my eyes forward. Shoulders back. I try to channel the girl I drew last night—the one facing the locker, not running.
"You're doing great," Caleb says under his breath.
"I feel like I'm going to throw up."
"That's how I feel before every game. It means you care."
We reach my locker. The hallway is already crowded with students pretending not to watch us. My hand shakes as I reach for the combination lock.
17-24-8.
The lock clicks open.
I hesitate, my fingers on the metal latch.
"Whatever it is," Caleb says quietly, "we handle it together."
I open the locker.
At first, I don't understand what I'm seeing. My books are still there. My jacket is still hanging on the hook. Nothing looks out of place. No takeout containers. No cruel notes.
Then I see it.
A photograph. Printed on glossy paper, tucked between my biology textbook and the metal wall. I pull it out slowly, my heart hammering.
It's a picture of me.
Taken through the window of the pool house. I'm sitting on the fold-out couch, sketchbook in my lap, hair loose around my shoulders. The image is grainy—taken from a distance, probably with a phone zoomed all the way in—but it's unmistakably me. Vulnerable. Unaware. Watched.
Behind the photograph is a second one. This one shows me crossing the backyard in the dark, bare feet on wet grass, heading toward the main house. The night I heard Caleb crying. The night everything shifted.
My blood turns to ice.
Under the photographs is a note. Not typed. Handwritten. Block letters in black sharpie.
WE SEE YOU, GRAVY. BOTH OF YOU.
The hallway is spinning. The fluorescent lights are too bright. Someone laughs somewhere down the corridor, and the sound feels like a physical blow.
"Maya." Caleb's voice is sharp. "Maya, look at me."
I can't. I'm staring at the photographs. At my own face, captured without my knowledge. At the words that threaten not just me, but both of you. They know about the kitchen. They know about 3:17 AM. They know something happened between us that night—something private, something fragile.
Caleb takes the photographs from my hands. His face goes pale, then hard. The muscle in his jaw pulses.
"This is Travis," he says. "This is his handwriting. I'd recognize it anywhere."
"Travis took pictures of me? Through my window?"
"He didn't take them himself. He's too smart for that. He got someone else to do it. But he planned it." Caleb's hands are shaking now—with rage, not fear. "He's trying to scare you. To make you feel unsafe. To make you leave."
"It's working."
"No." He turns to face me fully, blocking the locker, blocking the stares from the hallway. His eyes are fierce. "No, it's not. You don't give him what he wants. You don't run."
"He has photographs of me, Caleb. Taken while I was sleeping. While I was—" I can't finish the sentence. The violation of it is too much. My skin crawls. The pool house, which already felt like a glass cage, now feels like a crime scene.
"I know." His voice softens. "I know, and I'm going to fix it. But right now, I need you to breathe. Can you do that? Just breathe."
I try. The air comes in shallow, ragged gasps. The hallway is still watching. Peyton has appeared at the edge of the crowd, her perfect face arranged in an expression of concern that doesn't reach her eyes.
"I can't stay here," I whisper. "I can't go back to that room knowing someone was watching me."
"Then don't." Caleb's hand finds mine. It's warm. Solid. An anchor. "Stay in the main house tonight. There's a guest room. My mom won't care."
"Your mom doesn't know about any of this."
"She will. I'm telling her tonight. And I'm telling Coach about Travis." His jaw tightens. "This ends now."
The first bell rings. The crowd disperses reluctantly, students drifting toward classrooms, their whispers trailing behind them like exhaust. Peyton lingers a moment longer, her eyes meeting mine. There's something in her expression—not quite guilt, not quite satisfaction. Something calculating.
Then she turns and walks away.
Caleb hasn't let go of my hand.
"You should get to class," I say.
"So should you."
"I don't think I can focus on chemistry after finding stalker photos in my locker."
"Then don't. Skip. I'll cover for you." He squeezes my hand once, then releases it. "Go to the art room. Draw. Breathe. I'll find you after second period."
"What are you going to do?"
His eyes harden. "I'm going to have a conversation with my best friend."
\---
I don't go to the art room.
I go to the library. It's quieter, darker, easier to disappear. I find a corner in the back, behind the reference section where no one ever goes, and I sit on the floor with my knees pulled to my chest.
The photographs are still in my locker. I couldn't touch them again. Caleb took them, said he'd keep them as evidence. I didn't argue.
Someone watched me sleep. Someone stood outside the pool house window and pointed a camera at me while I was vulnerable, while I was drawing, while I thought I was finally safe.
The tears come without warning. Hot and silent, streaming down my cheeks. I press my hand over my mouth to muffle the sound. I will not cry in this school. I will not give anyone the satisfaction.
My phone buzzes.
Caleb: Talked to Travis. He's denying everything. Says the handwriting isn't his. Says he doesn't know anything about photographs.
Me: Do you believe him?
Three dots appear. Disappear. Appear again.
Caleb: I don't know. Something feels off. He seemed genuinely confused. Or he's a better liar than I thought.
Me: If it's not Travis, then who?
The dots pulse for a long time.
Caleb: Meet me at the football field after school. I have an idea.
I stare at the message. The football field. The heart of his world. The place where I am most definitely not welcome.
Me: Okay.
\---
The day passes in a blur. I float through my classes like a ghost, taking notes I won't remember, avoiding eye contact with everyone. By the time the final bell rings, I'm exhausted in a way that has nothing to do with sleep.
The football field is empty when I arrive. The bleachers stretch up into the gray afternoon sky, rows and rows of empty seats. The field itself is impossibly green, perfectly maintained, a shrine to the sport that defines this town.
Caleb is standing at the fifty-yard line. Alone.
I walk toward him, my sneakers sinking slightly into the turf. The stadium lights are off, but the sky is heavy with clouds, casting everything in a flat, shadowless light.
"You came," he says.
"I said I would."
He nods, but his eyes are distant. Focused on something I can't see.
"Travis swears he didn't do it," he says. "I've known him since fourth grade. I know when he's lying. He wasn't lying today."
"Then who?"
"That's what I've been trying to figure out." He turns to face me. "Who else knew about the kitchen? Who else knew you were in the pool house? Who else has a reason to want you gone?"
The questions hang in the air. I run through the list in my head. Travis. Marcus. The rest of the football team. Peyton and her cheerleader friends. Half the school, probably. The list is too long.
"I don't know," I admit. "I don't know who hates me that much."
Caleb's eyes meet mine. There's something in them I haven't seen before—not anger, not sadness. Fear.
"That's the thing, Maya." His voice is low. "I don't think this is about hating you. I think this is about you being in my house. About what someone thinks is happening between us."
"What is happening between us?"
The question hangs there, dangerous and electric.
He takes a step closer. The fifty-yard line stretches out around us, empty and vast.
"I don't know," he says. "But I know I don't want it to stop."
Before I can respond, his phone buzzes. He glances at it, and his face changes—the color draining from his skin.
"What?" I ask. "What is it?"
He turns the screen toward me.
It's a photo. Taken from a distance, but clear enough. The two of us, standing right here, at the fifty-yard line. Faces close. Bodies angled toward
each other. The kind of photo that looks like something it might not be. The kind of photo that can ruin people.
The caption reads: Sterling's new cheerleader. #GravyAndTheQB
My stomach drops.
And then I see the sender.
Peyton.