Chapter 43: Out of sight
. The
burning of your eyes, of your gestures, a bonfire of faith and
dissolution. You have the power. Never again use the word
exhibitionism. Acting in you is a revelation. What the soul so often
cannot say through the body because the body is not subtle enough,
you can say. The body usually betrays the soul. You have the
power of contagion, of transmitting emotion through the infinite
shadings of your movements, the variations of your mouth’s designs,
the feathery palpitations of your eyelashes. And your voice, your
voice more than any other voice linked to your breath, the
breathlessness of feeling, so that you take one’s breath away with
you and carry one into the realm of breathlessness and silence. So
much power you have Serena! The pain you felt afterwards was not
the pain of failure or of exhibitionism, as you said, it must be the
pain of having revealed so much that was of the spirit, like some
great mystic revelation of compassion and love and secret illusion,
so that you expected this to have been communicated to others, and
that they should respond as to a magic ritual. It must have been a
shock when it did not happen to the audience, when they remained
untransformed. But to those who respond as I did, you appear as
something beyond the actor who can transmit to others the power
to feel, to believe. For me the miracle took place. You seemed the
only one alive among the actors. What hurt you was that it was not
acting, and that when it ended there was a break in the dream. You
acting, and that when it ended there was a break in the dream. You
should have been protected from the violent transition. You should
have been carried off the stage, so that you would not feel the
change of level, from the stage to the street, and from the street to
your home, and from there to another party, another love, another
snowstorm, another pair of gold slippers.
“It must take great courage to give to many what one often gives
but to the loved one. A voice altered by love, desire, the smile of
open naked tenderness. We are permitted to witness the exposure
of all feelings, tenderness, anger, weakness, abandon, childishness,
fear, all that we usually reveal only to the loved one. That is why we
love the actress. They give us the intimate being who is only
revealed in the act of love. We receive all the treasures, a caressing
glance, an intimate gesture, the secret ranges of the voice. This
openness, which is closed again as soon as we face a partial
relationship, the one who understands only one part of us, is the
miraculous openness which takes place in whole love. And so I
witnessed, on the stage, this mystery of total love which in my life is
hidden from me. And now, Serena, I cannot bear the little loves,
and yet I cannot claim all of yours, and every day I see you now,
immense, complete, and I but a fragment, wandering…”
Serena touched the letter which rested on her breast, the sharp
corners of the pages hurting her a little… “What can I give you?” he
asked. “What have I to give you?” he cried out in anguish, thinking
this was the reason why he had not seen her for three days, or
heard from her. Another time he had said playfully: “I can only
nibble at you.” And had pressed his small, perfect teeth into her
shoulder.
The ascensions of the ballet dancers into space and their return to
the ground, brought before her eyes a Japanese umbrella made of
colored paper which she once wore in her hair. It was lovely to see,
so delicately made. When it rained and others opened their
umbrellas then it was time for her to close hers.
But a hi wind had torn it, and when she went into Chinatown to buy
another the woman who ran the shop shouted violently: “It’s made
in Japan, throw it in the gutter!”
Serena had looked at the parasol, innocent and fragile, made in a
moment of peace by a workman dreaming of peace, made like a
flower, lighter than war and hatred. She left the shop and looked
down at the gutter and could not bring herself to throw it. She
folded it quietly, folded tender gardens, the fragile structure of
dream, a workman’s dream of peace, innocent music, innocent
workman whose hands had not made bullets. In time of war hatred
confused all the values, hatred fell upon cathedrals, paintings, music,
rare books, children, the innocent passersby.
She folded the letter, as she had folded the parasol.